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This is ironic, considering where I now live, but I will not live here for long I know that as well as I know what is making the sounds I hear in the walls. When I asked her if she truly wanted to live downwind from a Farrington’s hog butchery, she told me we could sell up the farm as well as her father’s acreage-my father’s farm, and his before him! When I asked her what we might do with money and no land, she said we could move to Omaha, or even St. My wife, who never took to the farming life (or to being a farmer’s wife), wished to sell it to the Farrington Company for cash money. I wished to add this land to our freehold farm, which in 1922 totaled 80 acres. It was willed to my wife by John Henry Winters, her father. The issue that led to my crime and damnation was 100 acres of good land in Hemingford Home, Nebraska. This is a thing I regret even more bitterly than the crime, for reasons this document will show. My son, Henry Freeman James, aided me in this crime, although at 14 he was not responsible I cozened him into it, playing upon his fears and beating down his quite normal objections over a period of 2 months. In June of 1922 I murdered my wife, Arlette Christina Winters James, and hid her body by tupping it down an old well. My name is Wilfred Leland James, and this is my confession. Louis Post-Dispatch), and “an extraordinary collection, thrillingly merciless, and a career high point” ( The Telegraph, UK).
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Like Different Seasons and Four Past Midnight, which generated such enduring hit films as The Shawshank Redemption and Stand by Me, King’s Full Dark, No Stars is a “page-turner” ( The New York Times) “as gripping as his epic novels” ( St. In “A Good Marriage,” the trust forged by more than twenty years of matrimony is irrevocably shattered when a woman makes a chance discovery leading to the horrifying implications of just who her husband really is.
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In “Fair Extension,” making a deal with the devil not only saves a man from terminal illness but also provides rich recompense for a lifetime of resentment. In “Big Driver”, a mystery writer is brutally assaulted by a stranger along a Massachusetts back road and plots a revenge that will bring her face-to-face with another stranger: the one inside herself. In “1922,” a violence awakens inside a man when his wife proposes selling off the family homestead, setting in motion a grisly train of murder and madness. “The pages practically turn themselves” ( USA TODAY) in Full Dark, No Stars, an unforgettable collection centered around the theme of retribution. This analysis should prove useful to those interested in challenging the literary canon, seeking to read or teach popular fiction as literature, or learning more about Stephen King's work.From the #1 New York Times bestselling author Stephen King, four “disturbing, fascinating” ( The Washington Post) novellas-including the story “1922,” a Netflix original film-that explore the dark side of human nature. This study aims to demonstrate that King\'s writing is worthy of critical attention and examination by exploring the universal and archetypal elements of King's works and by demonstrating, through an analysis of The Shining, that a King novel that can withstand critical scrutiny. King's work should not be dismissed simply because of its popularity in fact, by producing works that speak to the human condition and can be read on many levels, King may finally be bridging the gap between popular fiction and literature. However, popular fiction is not always unintelligent or inartistic and can be literary in nature. After Stephen King was presented with the National Book Award in 2003, many literary critics bemoaned the respected institution's decision to grant a writer of popular fiction such a prestigious honor.